It would have been better if you'd shown the terrible tourist entertainers on the plane to pleasure island as well.

I think that's one of the few movies of Sexual-Lobster, which I won't view again. You've seen it once, you've seen it all.
But it seems great to troll people :)

Nothing to complain about the graphics or the sound.

Love it when Anthony Daniels, Warwick Davis and David Prowse (or is it Sebastian Shaw?) get electrified together.

What I like about this game:
- Very nice pixel graphics
- an interesting story start
- it's a round-based RPG (I like those a lot)
- Music that is okay (it's getting annoying over time though)

The worst part of this RPG is the controls; they're really awkward and sometimes really frustrating (I currently fail at bunny floor 8). I applaud the attempt for a novel battle system, but there would be better options.
So here are some suggestions:
a) Is there any part of the story, where it's necessary to control the characters separately when they're not in battle mode (i.e. not a single enemy nearby, or even in the room)? If not, you can safely assume that the player solely intended to have separate controls only for fighting.
b) There should be a better visual cue, which character currently has the lead (e.g. a circle around it's feet) and which one is currently controlled (yes, I saw the grey box).
c) During a battle where I control both characters, I have faced situations where I pressed the arrow key to finish a move of one character, but accidentally that was interpreted as another move for the next character (i.e. I moved with one character in a position that I didn't want to). This is a very frustrating situation, which lead to lost battles.
d) Is it really necessary to handle weapons and (healing) items as if they were the same? i.e. I find it really awkward that I have to switch from a weapon to a healing items during a round...
e) Have you considered using more than 2 keys? Sometimes I get confused over the multiple modes especially during battles. I'd rather prefer to have a system where I have to press ctrl+1 to use a healing item. I accidentally used healing items or stood still when I wanted to attack, etc....

and some minor details:
f) there's probably no need to switch to cinema mode, just to tell the player that a door is locked ;-)
g) I don't want to go back to the start screen, when I'm killed (or at least not by default), but to respawn at the last save point
h) add a skip dialog/cutscene option; especially for those times when the player already saw it, as they had to respawn
i) it would be nice if there was a permanent or icon if a room has been cleared/is safe (not just a disappearing message). Also it would be nice to prevent the player from accidentally waste weapon usages (e.g. remote weapons) in these situations.

There should be a Seppuku option.
Somehow I managed to dash into the wall and then couldn't exit the room anymore :-(

The aspect that I disliked most about that game is the fact, that the story development was based solely on the protagonist's POV.

Given the fact that the protagonist supposedly cared for Nat, felt sympathy and guiltiness, but never cares enough to ask what has happened to her since she departed (or doesn't consider it important enough to mention it), this is probably the most nonsensical plot hole in this game...

It's okay

Usually I would give 5/10 for such a drawing. In my opinion it's below average; also in reference to most of your other drawings. It's pretty obvious that you didn't put in a lot of effort e.g. overlapping lines, wrong "M" signet on the cap, a title that is neither original nor a clear reference ("super" is missing).

I'll give a 10, because I want to even out those who voted 0 a bit...
1) because it's unfair and childish to vote 0 on a piece of art, just because you dislike the message it transports
2) because I have a disgust for people that show nothing but disrespect towards homosexuality.

I simply love it! :)

Not only is it nicely drawn out, but it's at the same a great idea, that uses catchy memes.

It tells us something about the western perception and concept of gender and beauty.

Even more it also represents 2 figures that certainly had an influence in the history of art.